The festival itself — apart from the screened content itself — was truly a remarkable experience, and hats off to Jon Gann and everyone involved in the DC Film Alliance for putting together a truly memorable weekend. Next year I will definitely be submitting again, and even if we’re not in the show, I’ll likely be springing for a VIP pass. Yes, it was that good (the nonstop stream of free beer probably didn’t hurt either).
As for the content itself — other than our own, of course — there were some personal highlights (and even this is by no means a comprehensive list):
- “Available Men” — just plain funny, without going too far into caricature
- “Bone Mixers”* — a surprisingly engaging documentary
- “The Cell-Phone” — a pretty damned amusing bit of animation
- “Checkout” — this could have been a one-gag bit, but the characters make it a lot of fun
- “The Cole Nobody Knows” — I may be biased by my affinity for the music, but this was a compelling documentary
- “Full Disclosure”* — a really funny first-date film starring Arrested Development’s Judy Greer and Deadwood’s Brent Sexton
- “Fumi and the Bad Luck Foot” — some absolutely hysterical animation
- “Hairlady” — an intriguing experimental film, and some absolutely amazing time-lapse, steadicam, and editing work
- “Ignotus” — an Italian period piece, weaving an artistically speculative tale
- “Jesus Beer” — a funny (if verging on blasphemous) gag commercial
- “Karma Café” — a fun (and funny) little treatment on self-improvement mantras
- “The Leeward Tide” — a remarkable story, but also fantastically shot... and on MiniDV, no less
- “Multiverse” — the Washington Improv Theater’s award-winning HD 48 Hour Film Project entry
- “Olyver Brody” — really dark, but a great story and performances
- “The Package” — a dramatic tale of money, self-interest and betrayal
- “Victoria”* — a spec music video that tells a truly moving story
- “Zombie-American”* — The Daily Show’s Ed Helms is a zombie just trying to fit in
* Screening as part of the “Best of DC Shorts.”